Showing posts with label World War I. Show all posts
Showing posts with label World War I. Show all posts

Thursday, April 15, 2010

Cavalcade

"Dignity, greatness, and peace."-- Robert Marryot in his New Year's toast to the future at the end of the film, Cavalcade
This film was almost impossible to find.  Which is sad because it is actually a fairly decent film.  What makes one decide which films are worth preserving and which should stay lost?  I can't imagine why an Academy Award winning film like this is in serious jeopardy of being forgotten.  Maybe, as Americans, we can't find the desire to save something that is so quintessentially British.  But this film has so much to offer, and while it sometimes suffers from being pompous and overly long, it has much more right to be preserved than, say, The Broadway Melody.


The Plot

Jane and Robert with their children
The film opens on the Marryots, a well-to-do British family about to celebrate the new century, 1900.  Jane and Robert Marryot, played by Diana Wynyard and Clive Brook,  gather their two sons, Joey and Edward, and toast with their servants, parlor maid Ellen Bridges, played by Una O'Conner, and the butler, Albert Bridges, played by Herbert Mundin.  Shortly thereafter, both Albert and Robert go off to fight the bloody Boer War in Africa.  Jane is distraught, hardly comforted by her friend, Margaret, and Margaret's young daughter, Edith.  When they both return, whole and safe, Jane collapses in his arms.  Albert tells his wife that he has bought a pub with Robert's help, and they will now go live there and run it.  Ellen is skeptical, liking her job "in service."  Queen Victoria dies and everyone watches the end of an era.

Albert, Jane, Robert, and Ellen
 It is 1907.  Albert has devolved into a drunken bar owner, and Ellen despairs of him.  She has tea with Jane, where their 8-year-old daughter, Fanny, shows her skills as a dancer.  Just as Jane and a grown up Edward (he appears about 18), are to leave, Albert arrives on the scene, drunk and irrational.  He smashes the new doll Jane gave Fanny, and then chases her as she runs into the street.  Albert is hit by an carriage and killed instantly.
Albert and Fanny

A few years later, Jane meets Ellen again as both families walk along the boardwalk in Brighton.  Ellen shows off the prize Fanny has just won for dancing, and says she is finally profiting from the pub without her husband.  Edith and Edward go off on their own to the beach and profess their love for one another.  Edith stares dreamily off into the water, claiming that she has always longed to go on a ship.

Edith and Edward 
In April of 1912 they are finally married and aboard a ship for their honeymoon.  Edith claims that they are perfect in that moment, but she wonders if anyone can stay happily married, especially with the world changing so quickly.  She loves Edward now, but doesn't know if it will last.  But this, she decides as she kisses him, is their perfect moment that will last forever.  They walk inside from the deck of the ship revealing the ship's name on a life preserver: Titanic.

A few years later the family is celebrating the New Year again.  Edward and Edith have drowned, and the rest of the family are on the brink of World War I.  Joey, who has been something of a careless boy living only for pleasure, tells his father that he would like to join the military and fight in the war.  His father, though retired, plans to join up again as well.  Before Joey is shipped out, he and his friends enjoy a drink at a club.  Soon a beautiful blonde comes out to perform her dance number.  Joey discovers she is Fanny Bridges, and hides in her dressing room, surprising her when she returns.  He tells her he thinks she is beautiful, and the two fall in love.

Over the war Joey writes to Fanny, and visits her as often as he can.  Fanny has become a celebrated singer, dancer, and actress, while Joey has won accolades at war.  Though neither have informed their families, they both confess their love for one another, and Joey proposes.  Fanny is troubled by the difference in their stations and doesn't immediately accept him.  They both plan to discuss the matter after the war is over.  Joey then visits his beloved mother, who is one again upset by the pointless of war.  He visits his father back at the front, who is one of the commanders.  His father informs him the war is months from an armistice.

Fanny and Joey

The armistice is to be declared any day, and Jane waits hopefully for news.  Her now wealthy in her own right, Ellen visits Jane at her home.  While Jane greets her with joy, Ellen treats her stiffly.  She tells Jane that she has discovered a letter from Joey to Fanny, and reveals their relationship.  Jane is obviously distressed when Ellen suggests they marry, but refuses to comment on her son's life.  They begin to argue, when a message arrives declaring Joey dead.  Jane faints dead away as Ellen drops her act of superiority and cares for her.

It is New Year's eve, 1932, and Margaret, Jane, and Robert have all grown old.  Margaret leaves for a date with one of her many beaus, and Jane and Robert toast the New Year, now a family tradition.  They toast to England and hope for peace.  Though they have lost so much to England, they have found solace in each other and their love for their country.  The film ends with a montage of different scenes from the film overlaid with Fanny singing and a field full of crosses.

The History
In 1933, Hollywood was having a difficult time.  The studios had been barely scraping by since the depression, and FDR's bank holiday on March 5th caused even further damage to the largely credit dependent studios.  The labor negotiating department of the Academy formed an Emergency Committee, which then recommended a 50% pay cut for all studio employees for two months.  While this might have worked for Mr. Mayer, the lowly technicians would have had difficulty getting by.  They changed to a sliding pay scale, but even this wasn't good enough for those touchy writers.  They left the Academy and formed the Screen Writers Guild in April of 1933.  When studio heads refused to restore full salaries after two months, several members resigned, including the current president.  By October, the Academy had introduced its new regulatory code, which put a ceiling on the salaries of writers, actors, and directors, but not on those of studio executives.  They also declared that talent agents had to be licensed by the producers they worked with, and that artists could not accept bids from other studios when their contracts were up for renewal until their current studio had decided to pass.  Thus the Screen Actors Guild was born and actors began leaving the Academy in droves.

Despite all the controversy, the 6th Academy Awards were as highly attended as ever.  A decision to have the awards given out by calendar year pushed the ceremony back some, and the ceremony was moved from November to March of 1934.  In a last ditch PR effort, the Academy made the event as fun as possible, encouraging people to dance to Louis Armstrong and his band before settling down to dinner and the awards.    This was also the year that the statuette got its name.  According to legend, Academy librarian Margaret Herrick said upon seeing the statue, "It looks like Uncle Oscar!"  The nickname became a derogatory word for the award until Walt Disney, winning his second consecutive award for "Best Cartoon," respectfully referred to the award as an "Oscar." The nickname took on an entirely new connotation that is still used today.

Cavalcade was originally a play written by Sir Noel Coward who then sold the movie rights to Fox for $100,000.  Veteran Hollywood director Frank Lloyd dove right into the sweeping British epic and Cavalcade was a hit with the critics, although not as much with the box office; people far preferred such apple pie American fare as State Fair.  Nevertheless Cavalcade was nominated for "Best Art Direction," "Best Picture," "Best Director," and "Best Actress," only losing the last category to Katherine Hepburn's performance in Morning Glory.  Diana Wynyard would later be have her footprints at Grauman's Chinese Theater in Los Angeles, in honor of her role. When the Awards host, comedian Will Rogers, announced that the winner of the "Best Director" award went to his friend, Frank, director Frank Capra jumped out of his seat, ran to the stage and waved to the spotlight, shouting "Over here!"  He was left to slink back to his table when the spotlight actually stopped on Frank Lloyd, later calling the moment "the longest, saddest, most shattering walk in my life.  All my friends at my table were crying."

Cavalcade is largely lost to audiences today, dude to its limited availability.  It is remembered as a rousing, emotionally patriotic film that sometimes dips into excessive melodrama.  So few have actually seen the film that it is distinguished as having the least number of votes of any Academy Award winning film on IMDb.

The Verdict?
When I began this project, I made sure that every film was available for viewing in some form.  For both Wings and Cavalcade, I discovered that I was able to watch both on YouTube in 10 minute increments.  Obviously this wasn't ideal, but I thought it added some funny ridiculousness to the project.  Wings was uploaded by several different people with good quality.  For Cavalcade, I found only one.  A Portuguese person by the username of  "pacocasacarra" had uploaded the entire film.  Not only did it have Portuguese subtitles, but each clip simply had the title of Cavalcade, so I had to guess which clip came after another.  I sighed, decided this was part of the adventure, and bookmarked the page.  This past weekend I settled down to make sure I could watch the film, and discovered to my horror that "pacocasacarra" had been banned from YouTube, presumably because he/she was uploading copyrighted material.  Now I was really starting to freak.  Cavalcade is only available on DVD in a Korean version, of all things.  I could buy it used as a VHS on Amazon, but I would have to wait a week to ship and then somehow figure out a way to find a VHS player (not as easy as it would have been 10 years ago).  I frantically googled, hoping someone had uploaded the movie on some of the less reputable video sites.  Nothing.  I was just about to give up hope when I decided to check a torrent site.  I never expected that among all the pirated programs and movies there would be someone who would upload a pirated, torrent version of Cavalcade.  But someone did.  One person.  I personally think it is "pacocasacarra," as I still had to endure the Portuguese subtitles.  I like to think of him as a knight of lost cinema, a renegade film pirate with a mustache who serfs the web and uploads impossible-to-find old movies.  But I digress...

VHS cover of Cavalcade (Robert and Jane)
I enjoyed Cavalcade.  It parades the Marryot family through the most important British events from 1900-1933, and pits them against a rapidly changing world.  Cavalcade endeavors to show the clash between the Victorian attitude of Jane and Robert and the more modern sensibilities of both their children and, to a certain extent, Ellen.  Jane and Robert seem confused by the changes that effect them, but manage to stay cocooned in their bubble of upper class respectability.  And while Edward seems to take for granted the happiness of his future married life, Edith is much less sure.  She questions whether love can last in a marriage, a question that would not have been a consideration for her parents generation. The egocentric reflection of the kind that Edith embarks on is a far more 21st century conversion, so much so that Edward cannot seem to come to grips with it.  Then there is Ellen, who at first is the parody of a dutiful cockney servant, directly apposed to change.  By the end of the film, her daughter is an actress, hobnobbing with the rich while dating her mother's former employer's son.  Ellen herself, all dressed in furs, approaches Jane as an equal to propose the marriage of their children.  It is unclear, however, how much we are meant to sympathize with this new world.  Every person who conforms to the new century dies or comes to a bad end.  In the end, we are left with only Jane and Robert, in their same house, following their same rituals.  All who have followed the future are gone.  And of course, though no one knew it, a new war was about to follow this one.  A war that would be much worse than the last.

Though it sometimes seems like a history lecture, and can be heavy handed when assigning the moral of the film, Cavalcade is not a film to be thrown aside.  It raises important questions, and I hope that it isn't lost forever.  I told a friend tonight that I didn't mind revealing the end of the film, because I knew she would never see it, even if she wanted to. It's so sad to me that that's true.
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Tuesday, March 9, 2010

Wings

 "Small town 1917 - Youth and dreams of youth."
-Opening Title Card from Wings

I take it all back.  No more silent films!  I actually prefer Sunrise now, after having seen Wings.  Okay, okay, it could have been worse.  The plot did move a lot faster than Sunrise’s did.  There were enough cheap thrills to keep me engaged.  But—I will explain myself.  Picture any generic war movie.  Saving Private Ryan, Braveheart, Top Gun even Forrest Gump will do.  In particular, I would like to use Pearl Harbor.  So, picture Pearl Harbor.  Now remove all the sound and color. Replace the sound with one continuous score where an organ is the only instrument.  And then, any time there is any narration or dialogue in the script, insert a title card.  Now drag it out for 140 minutes.  I don’t think I’m intellectual enough for this.

The Plot:
We begin in small town America, where two young men are getting ready to enlist in World War I.  Jack, played by Charles “Buddy” Rogers, is eager to leave, having wanted to be a pilot his whole life.  David, played by Richard Arlen, is more somber, but believes this is right thing to do.  Both are in love with the prettiest girl in town, Sylvia, though she has eyes only for David, who is from the wealthiest family in town.  Meanwhile, Jack’s neighbor, Mary, played by Clara Bow, is desperately in love with Jack, though he doesn’t realize it.  Before they leave Sylvia, played by Jobyna Ralston, is preparing to give David a locket with her picture, but Jack gets there first, tells her he loves her, and takes the locket, thinking she meant it for him.  Afterwards, Sylvia apologizes to David and explains that she felt bad for Jack.  But while he may have the locket, David has her heart.  Mary attempts to give her picture to Jack, but is saddened by the way he simply pats her on the head and waves farewell.

Both boys head to training, and though Jack hates David at first, they become best friends after they beat each other up.  Men.  Anyway, the two best friends fly through danger and death, honored with medals and becoming famous pilots.  Meanwhile Mary has joined up as well, and is driving a truck with medical supplies to the various camps in France.  While stopped in Paris, she hears that Jack is there on leave but that all the men are being immediately recalled for one “final push.”  Worried that Jack won’t hear and be court-martialed, Mary searches the bars in Paris until she finds Jack and David, drunk on champagne with their arms around loose women.  Jack doesn’t recognize her (because his vision is blurry and all he sees are bubbles) so Mary decides to change into a sparkly flapper dress and see if that will attract him.  It does and she manages to get him to his room where he passes out.  She unbuttons his shirt and sees the locket with Sylvia’s picture, which upsets her further.  She starts to change behind a screen back into her uniform, but his commanding officers open the door and see her changing, leap to all the wrong conclusions, and cause her to be discharged.


Later, it is the final push for the Allies, and David charges Jack with bringing his things home to his mother, convinced he will not make it.  He tucks letters into his jacket bearing love from Sylvia while Jack insists he is crazy.  Jack then says that he wants to be straight with his friend and shows him the locket, claiming that he and Sylvia are in love.  As he shows the locket, he drops it, and the picture flies out.  David hastily grabs it and asks to put it back in, so that Jack won’t see the inscription to David.  Jack refuses, and David rips it up rather than hurt his friend.  Jack runs out in a rage, angry at David.  They fly, and David is shot down.  Jack is riddled by guilt and sorrow and the next day hunts Germans with a fierce determination.  Unfortunately, he ends up shooting down his best friend, who, having survived his crash, had stolen a German plane and attempted to fly back to safety.  Jack cradles his friend in his arms as David dies telling him not to blame himself.

Jack goes through David’s possesions, realizes the truth about Sylvia, and heads home to deliver his things to David’s parents.  There is a parade in Jack’s honor, but the only thing he cares about is forgiveness from David’s parents, which they grant.  He goes home, finds Mary and realizes he loved her all along.  They stare up at the stars and kiss, planning their future.


The History:
Wings won Academy Awards for “Best Picture, Production,” and for “Best Engineering Effects.”  It is one of only three films in the history of the Academy Awards to win for “Best Picture” but not even be nominated for “Best Director.”  It was a major box office success at the time, largely because of a fad for aviation perpetuated by Charles Lindbergh.  The movie was praised for its realistic aviation scenes, and actually both actors flew their own planes in the movie.  Richard Arlen was a real pilot in World War I, but when he flew for the movie he and Buddy Rogers had to fly, act and operate the camera all at the same time.  Richard Arlen met and ended up marrying his onscreen love interest, Jobyna Ralston, in 1927.  Despite the number of air crafts in the air, there were only two incidents, one involving the injury of a stuntman and the other a fatal injury for a United States Army Air Corps consultant.  Wings has faded very far into the past, and is actually one of two “Best Picture” films that is still not on DVD.  Though it is now considered the sole winner of the “Best Picture” award of 1927 by most critics and historians, it is mainly remembered for launching the career of film star, Clara Bow.  The movie is also notable for its first onscreen male-on-male kiss (albeit in friendship) and for its nudity (you can see Clara Bow’s breasts for an instant while she’s changing.)

The Verdict?

Like Sunrise, I had to watch this film in 10 minute clips on YouTube.com.  Yes, someone actually found a way to upload Wings onto YouTube.  I would like to meet this person.  So that in itself is a little irritating.  On the positive side, the plot did move a lot faster than Sunrise.  I was slightly more interested in the plot line, and the love triangle was fun.  So was Clara Bow, and it was interesting to see one of the biggest sex symbols of the 1920s play the girl next door.  I can also appreciate, if you were in the audience in 1927, how exciting it would be to see actual planes flying.  It’s still exciting to realize that there are no green screens or computer effects, and the shots of the actors flying planes are real.

HOWEVER

This movie was over two hours long.  That’s over two hours of an organ playing.  Two hours of title cards instead of dialogue.  And this is also coming from the girl who fast forwarded through the battle scenes in Braveheart.  I’m not extremely interested in battle scenes.  In Sunrise, I believe that the silent film aspect actually added to the film itself.  I couldn’t imagine a talking version, or if I could, there just wouldn’t be that much dialogue.  But this movie would be so much easier to watch if there was actual sound.  I mean, picture a war movie without even sound effects!  But at least I have become very good at reading lips.  And the guys were cute.  So I guess that’s something.  But that’s it!  No more silent films.  My next movies with have sound.  And no organs.  Can’t stand the organs.

The bright side would be the food I got to make for this movie…

PS:  And this is a side note:  Can anyone else who's seen this movie comment on whether you thought the bro-love was a little intense?   I mean I understand David is dying, but the mouth on mouth was a little much.  And look at that picture up there.  Don't just think the two guys have the best chemistry over all?  Just saying.
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