Sunday, April 15, 2012

A look back into the 1940s

We've reached the 1950s, but before I enter that decade, I'd like to take a look back into the 1940s.

The 1940s were a turbulent time, filled with world war, the dregs of a depression, and changing social times.  Beginning with Rebecca, a dark look into lies and secrets, and ending with All the King's Men--which I suppose deals with the same material.  It would seem that not much changes during this decade.  But a look at the films show an interesting arc in the popular ideology and interests of American people
.

1940--The winner is a dark Hitchcock picture, Rebecca, where a young ingenue is sucked into her new husband's dark mansion, which is still haunted by the specter of his ex-wife.  Mr. de Winter is secretive, moody, and foreign.  The heroine is naive and foolish, but despite herself is drawn into the terrible mystery of Manderlay, her new home.  She survives the eventual fire, but the horror of it still lingers.  At the time this film won its award, the war was becoming increasing desperate, with America less than a year away from Pearl Harbor.  Like Mrs. de Winter, Americans were trying to stick their heads in the sand, but were still being drawn inextricably towards the fire.


1941--With How Green Was My Valley, you get the story of a Welsh mining family attempting to overcome oppression.  They aren't entirely successful, but there is a message of hope flickering, despite it all.  Even so it is again, a European tale, with a murky outcome and a depressingly disparate house and home.  America has been in the war for only a few months, but it has begun to take its toll.


1942--Mrs. Miniver is the story of, again, a British family.  It follows them as they attempt to survive World War II, while it is still years from ending.  This film has an uncertain ending, with some truly sad moments, but it is as a whole is hopeful.  It is more of a generic, crowd pleasing film than the other two, and shows there is starting to be some hope (or desire for hope) in the American psyche.


1943--Casablanca: the ultimate tale of unrequited love and heroism.  The film is about war, redemption, and the will to fight an oppressor.  The tide of war is turning.


1944--The strangest winner of the group, Going My Way is about a priest who saves a struggling parish by teaching the young boy's choir how to sing.  Wholesome, fictional, and filled with images of home and hope, this is the dream to show both to the young people fighting for their country, and the people who want them home.  The priests, the children, even the baseball----this is the dream of home.


1945--Coming on the heels of such an angelic film is The Lost Weekend, a film about a struggling alcoholic finally left along for a weekend by his family and friends.  He goes on a bender that almost destroys him, only to survive on a thread.  It's the end of the war, but this marks a darker time for returning vets.


1946--The Best Years of Our Lives explores the lives of returning veterans, who are having a difficult time settling back into their lives.  While it has the upbeat emotion (and ending) similar to Mrs. Miniver, there are darker scenes that reflect the sentimentality of The Lost Weekend.  When an airline pilot sits in an abandoned plane, he suffers the same hallucinations that an alcoholic might.  There are good times promised ahead, but the transition is a little rocky.


1947--In Gentleman's Agreement we see a man crusading for justice in a disillusioned world.  He wins out at the end, but at great cost personally, without a clear knowledge that he really changed things.  Like a few of these later 1940s films, it is depressing and confused, with a murky ending.  It depicts a morerealistic view of the world than the earlier, Capracorny films of the 1930s.


1948--Hamlet, the story of a confused prince, fighting for his father but constantly questioning himself and others.  While Shakespeare may not at first seem to fit with the flood of disillusioned veterans filling the movie theaters, the story of Hamlet--bloody, fearsome, and battle-filled while being psychologically disturbing--seems to fit right in.  These men and women are turning from the easy melodies of Going My Way and turning towards a more realistic approach to life as a coping mechanism.


1949--And lastly, All the King's Men, a story of a crusader who finds himself disillusioned as the man he thought would be the politician for the people turns out as corrupt as the rest of them.

Well, if anything All the King's Men puts a cap on the later half of the 1940s, a time when Americans were looking at more realistic films, versus the panoramas and epic dramas of the earlier years.  These movies, sometimes directly and sometimes indirectly, center around the war happening at home and abroad.  They arc from frightening, to hopeful, to peaceful, to disturbed, and finally to a reality fighting against a new society.  The end of the 1940s is a dark one, but with perhaps a silver lining.  We're left with a reality that may be different, but is at least real.  These aren't showy theatricals in glittering technicolor.  They are real, at times gritty portrayals of average, unlikable men.  Well--and one prince.

Who knows what the stability of the 1950s will bring?

PS-My favorite?  The Best Years of our Lives
Enhanced by Zemanta

Friday, April 6, 2012

Oscar Reality 2012





So here's the thing:

While Billy Crystal was a much, much, much more enjoyable host than last years' grating duo, this year's Oscar theme was.....boring.....

Outfits?  Okay.  Everyone looked beautiful, but aside from JLO's boobs popping all over the place (which I don't count as very unusual), no one wore anything too crazy.   Even this year's worst dressed really weren't that bad!  No one gave any crazy acceptance speeches, there was no heckling from the audience, and the host wasn't too cruel (here's looking at you, Ricky Gervais).  I almost wished Ricky had hosted.  At least then something would have happened!!

And the movies this year!  While I loved some of them, they were definitely a motley group.  The Artist was destined to blow them all away.  It was the only movie I was fully behind.  Tree of Life may be a cinematic achievement, but The Artist is and should be a fan favorite.

Favorite Dress?  Maybe it's just because I love her, but Emma Stone looked amazing in a red Giambattista Valli Haute Couture gown.  Appropriate, beautiful, and a great color for her.  She was also really funny when she presented.  Go Emma!


Favorite acceptance speech goes to Octavia Spence from The Help who thanked the academy for putting her up there with the hottest guy in the room.  Christian Bale...yummm...don't care that you're crazy.

Biggest upset was when Meryl Streep beat out Viola Davis for Best Actress.  I mean I know she's Meryl Streep, but Viola Davis was robbed.  She was the best thing about The Help and I think her chance won't come again.

Funniest moment goes to Zach Galifianakis and Will Ferrel, with the ridiculous cymbol thing.  Well played.  It's silly, but I totally giggled.


All in all, while I'm happy for The Artist, come on America is this the best we can do?  We need to step it up.  Which brings me into this year's Oscar theme: nostalgia.

Each film is filled with the desire to leave the current time and enter another, most particularly in reference to children.  Midnight in Paris is the perfect example.  The main character desires to live in the 1920s, only to discover that those during that time wish to live in the time before.  Tree of Life is a flashback to a man's childhood while The Artist is an homage to a different era while its main character comes to grips with the changing times.  The Descendants has George Clooney grappling with both his progeny and his ancestors, while Moneyball has Brad Pitt fighting the ways of the old baseball system, yet being tied by love for his daughter.  Both Hugo and Extremely Loud and Incredibly Close are about the loss of innocence, and young boys trying to regain a beloved father and a time when things were better.  And War Horse is about war destroying a happier time.  War Horse is a bit of a stretch--but really, so was the nomination.

I'm not sure what this means for our country as a whole.  Even though the economy seems to be rebounding, do we still look back at a supposedly better time?  Will we find, as many of these characters do, that the better time they remembered didn't really exist?  Children seem to be at the base of most of these stories, and are secretly the most powerful.  Perhaps the current generation fears and respects the younger one?

These are just conjectures.  If I wanted to go on, I could ask why the best film here was one by a foreign country and an entirely different society.  If anything, these films are largely confused.  They lack the vision of last year's group.  Perhaps that says more about our society than anything else.

This year, both cinematically and visually, the awards were a bit of a dud.  Better luck next year?
Enhanced by Zemanta

Tuesday, March 20, 2012

All-American Mini-Pies

Well this is my first post on an iPad (my mom's) en route to Brunch. But I've begun thinking that if I don't take advantage of the few moments of free time I get, I'll never get this project going! And I need to wrap up All the King's Men. For this tale of all-American greed and political corruption, I decided to make mini-pies. What's more American than apple pie? In additon all things mini are becoming popular right now, especially mini-pies. I actually just got a book on mini-pies from Williams Sonoma--which then caused me to seriously lust after this. But even without a pie maker these are pretty easy, and definitely delicious.

Patriotic Mini-Pies
You'll need:
1 carton blueberries
3-4 fresh apples, peeled and cored
1 can cherry pie filling
3 tablespoons lemon juice
3 teaspoons cornstarch
1 egg
1 box pillsbury pie dough (at least two rolls of dough)
Cinnamon
Nutmeg
Pam or butter for greasing
Muffin tin

Serves about 24
  1. Preheat oven to 425 degrees. Grease muffin tins thoroughly.


  2. Using a rolling pin, roll out the pie dough evenly, to about an 1/8 of an inch. Using a cup or circular cookie cutter (I used a 1 cup measuring mug) cut out enough circles to cover all the muffin cups.



  3. Press the pie circles into the greased muffin cups, making sure to cover the entire cup and edges.


  4. Meanwhile chop the apples into 1/4 inch pieces. Mix 1 cup appleswith a pinch for cinnamon and nutmeg, as well as 1 tablespoon lemon juice and 1 teaspoon cornstarch.


  5. Chop the peaches into similar small pieces, and combine 1 cup with 1 tablespoon lemon juice and 1 teaspoon cornstarch.


  6. Combine 1 cup blueberries and remaining lemon juice and cornstarch.

  7. 3-4 large fresh peaches, peeled

  8. Fill the muffin cups with the fruit mixtures and cherry filling, alternating cups.

  9. Cut more circles out of the dough and use them to cover the muffin cups making sure to slice vents in the tops (I choose to be more inventive, using lattice, slits, hearts, and stars; each designated the type of pie). Fasten all the tops to the bottom dough cups at the edges.


  10. Combine the egg and 1/4 cup of water with a wisk. Use the egg wash to brush the tops of the pie shells.


  11. Bake the pies in the over for 20-30 minutes, or until the pies are golden brown and cooked through. If the tops of the pies begin to burn, tent with foil.


  12. Wait for pies to cool and then remove from tin very carefully (I used a small spreading knife). Enjoy!
These pies are both delicious and impressive! I probably could have made the cherry filing, but you really should experience canned cherry pie filing at least once. These are easy, fun, delicious desserts for your next BBQ--and I swear, spring is coming! I highly recommend them.

Enhanced by Zemanta

Sunday, February 26, 2012

Oscar Expectations 2012





Another year of Oscar ahead of me, and while I've only finished twenty years of movies, I have managed yet again to watch every nominated film!  Collectively, it's a much more motley group of movies this year.  Last year definitely had better films.  But I'm hopeful that this year's ceremony with Billy Crystal as host will be far better than the train-wreck of last year.  Please?

Much more fun was watching the films themselves.  My life has gotten busy, and fitting in nine films in about two weeks was not very easy.  Added to that was the fact that a few of these films were in that limbo between theaters and DVD.  I may or may not have dragged my boyfriend to a small suburban town half an hour outside the city to watch back to back movies in crumbling down theaters.  All worth it!

I've discovered the best thing about this project is watching movies that I might never otherwise decide to see.  And even if I didn't like them, I'm glad I saw them.  And in last year's tradition, regardless of how I feel about them, here they are ranked in order of "winability."  I'll start with the one I know will win and end with the one that can't possibly...

The Artist
Who would've thought that a black and white silent film would be such a hit?  Well actually....falling just above Tree of Life, The Artist is the second lowest grossing film nominated.  Because no matter how much I try to endorse this wonderful film, it goes something like this: "It's romantic, action packed, dramatic, funny---there's great scenery and costumes.  It's incredibly acted, and manages to poke fun at itself in a witty way.  And it's an homage to great classic films.  It's just...it's silent!  Well, I mean, not completely...well, there's some sound...well a little..."  Yup.  Doesn't really describe well.  The minute someone figures out it's silent, no matter how great, they don't want to see it.  Black and white? Maybe.  Silent?  Nope.  Please do!  It's all I've said and more.  It's the fantastic film Hollywood wishes they had the guts to make.  Oh, did I not mention?  It's also French.

Tree of Life
As much as it pains me, this is actually an incredible film.  I don't think I liked it very much, but after reflection, this is a film that is entirely unique.  Rather than a traditional linear plot, the plot is cyclical, weaving back and forth through the main character's memories, his present life, and the history of time.  There are no typical character roles, and sometimes the actors seem superfluous to the crazy that is going on around them.  The film reminded me of the beginning and end of 2001 Space Odyssey combined with The Sound and the Fury.  While nearly every other word in this film is an annoying whisper, and it does fulfill on the fears I had from its trailer (it's a pompous, pretentious, piece of showy art),  I can't help but enjoy the ride.  After awhile, I got used to the style and enjoyed the experience of being inside someone's head.  And the sequence describing the earth's beginning was different from anything else I've ever seen.  In conclusion, it is a completely unique film that will stand the test of time.  And you should totally watch it on some kind of hallucinogen.

The Help
Despite the difficult topic of race, this film is entertaining and heartwarming.  It is well acted, and a perfect portrayal of an era.  From the costumes to the scenery, this film shows a (somewhat glorified) version of a difficult time.  However the sometimes slavish devotion to a hit novel manages to make this film overlong--a few edits may have made it drag less.  In addition, it does not commit to the topic of race enough.  It skims the surface, and spends more time on gags and pretty costumes.  This film is supposed to give voice to the help, but I wish I had seen more of them, and less of the uppity white girls we love to hate.  While entertaining, it doesn't dig deep enough to give true weight to this film.  So while I enjoyed it immensely, and it is, by the way, the top grossing Oscar nominee, I don't think it will win.  But Viola Davis might for Best Actress!

The Descendants

And speaking of movies that dragged...thank god this film was made in Hawaii.  I forgave the slow, plodding pace because I got to pretend I was on one of the many fabulous beaches they showed.  In addition, the story was compelling enough to make me want to know more.  And of course there's George Clooney, whom I just love to watch, no matter what.  Fantastic actor.  And the others don't do too bad themselves.  The girls aren't too bratty and overplayed and his relatives aren't too "stereotypey islandy."  Really though, this is George's movie and thank God for that.  The plot twists and turns kept me guessing, the acting kept me engaged, and the scenery was...well...wow.  I need to go to a beach ASAP.  Even though it felt like it was much, much longer than it should have been, I did enjoy the film.  Not as much as some that followed, but between the weighty material and the acting chops, this movie is pure Oscar bait.

Moneyball
This is a guy's movie, no doubt about it.  It's about baseball statistics, with no romantic story line, or really any women at all.  Any women watching this movie should go into it with those expectations.  Despite the few female characters, I really liked this film.  Brad Pitt has the perfect foil in Jonah Hill.  Unlike many of the other nominated films this year, I never felt like it was dragging on.  Which is something considering it is a film entirely about sports.  There was always something catching your attention and moving you forward, and the scenes with the girl who plays Brad Pitt's daughter were a welcome relief from the spitting and sweating of the team.  Smart, funny, and engaging, this film was a surprising win for me.  It doesn't have the expected "good feeling" ending you get with most sports films, and I liked it the better for it.  Just don't expect any great romance...

Midnight in Paris
This is the best film that probably shouldn't be on here.  I love, love, love this film!  It's every English major nerd's favorite dream.  And the actors playing major historical characters are brilliant, and manage to subtlety wink at the audience at the same time.  It has the witty/off-kilter humor that is always part of Woody Allen's films, but even if you aren't an Allen fan you should like this film.  However, as entertaining as it is, it is not the stuff of Oscar films.  It's sweet, funny, but ultimately just another Woody Allen film.  I definitely loved it but I don't think it's the best film I've ever seen.  It's this high on the list because of Woody Allen.  Famous directors always get a bump.

Extremely Loud and Incredibly Close

Okay, so Hugo got better reviews and has the more famous director.  But this movie is so much better.  I mean, I definitely sobbed through most of it, but it is a 9/11 movie.      The main character, a young boy with some kind of social disorder, is both irritating and entertaining, and ultimately, extremely lovable.  Sandra Bullock and Tom Hanks both take a back seat, but make their few moments worthwhile.  Max von Sydow plays the silent, absent grandfather to Oscar acclaim, but I really thought that his young co-star stole the show.  Despite the almost graphically horrifying, wrenching scenes, I enjoyed, and was engaged by, every minute of this film.

Hugo


So this movie got the better ratings, the better director, and the bigger Oscar chops.  But it's probably my least favorite of all the films.  Which is sad because I really wanted to like it.  But is this a movie for children, or adults?  The first three quarters of this film dragggggeedddd.  And when it finally picked up, it became much more of an adult film than a child's.  I think that's the problem.  This movie floats between an adult's film and a child's film, and doesn't really settle on either.  Plus the kid is creepy.  Sasha Baron Cohen is the only relief, and every minute he wasn't on film I got bored again.  Scorsese reverts to his biggest problem--he's so in love with his films that he can't bear to clip them.  Hugo could have been a great movie with some serious editing.  It's a beautiful film to look at, especially in 3D (which I don't always like) and a tribute to the early age of film.  But if you want to see a film tribute...go see The Artist.  It's much better.

War Horse

So I expected to hate this movie.  As one of my best friends said so eloquently, "I know World War I isn't as sexy as World War II, but did they have to add a horse?  Why not just make a film about the war??"  So with my expectations pretty low, I was pleasantly surprised.  Mildly surprised.  Okay it wasn't the worst movie on here (see Hugo).  The main character is almost creepily obsessed with his horse, and his high pitched whining (the boy's, not the horse's) really started to grate.  But it was filmed like Gone with the Wind, with sweeping panoramas liberally painted over with bright colors.  I was entertained throughout the film, and despite myself, really wanted to see the damn horse get through.  But Best Picture?  Sorry Spielberg...I think not....

That's it!  As far as the other categories, I think Viola Davis in The Help will get "Best Actress," although My Week with Marylin's Michelle Williams may give her a run for her money.  "Best Actor" is anyone's game, with Brad Pitt, George Clooney, and Jean Dujardin all contenders.  "Best Director" will probably go to The Artist, but should go to Tree of Life. My prediction?  The Artist will sweep pretty much everything, with a few bones tossed out to the remaining films above.  Fingers crossed for a Bridesmaids win in pretty much anything--that's guaranteed to be an interesting speech.

I have my thoughts on this years theme...but that will have to wait!  Got to start cooking.....
Enhanced by Zemanta

Sunday, February 19, 2012

All The King's Men (1949)

"Jack, there's something on everybody. Man is conceived in sin and born in corruption. He passes from the stink of the dydie to the stench of the shroud. There's ALWAYS something." --Willie Stark to Jack Burden (All The King's Men, 1949)

I dragged my feet to watch this one, but unlike Hamlet, I was pleasantly surprised.  It wasn't my favorite film, but it was fast-paced, entertaining, and interesting to watch.  There weren't always easy explanations for some of the character developments, and I found Willie Stark much more compelling than our hero, Jack Burden.  But still a worthwhile watch, though I doubt I'll ever see it again.


The Plot
Minor reporter Jack Burden, played by John Ireland, is sent to cover the campaign of Willie Stark, a self-taught man from a small town in the south who is running for town treasurer.  Stark, played by Broderick Crawford, is convinced that he can fight the corruption running rampant in the city council.  Jack watches him get arrested for holding an illegal political rally, but after he is released, Stark takes Jack home to his family.  Jack meets Stark's elderly father, adopted teenage son Tom, and wife Lucy who is a former schoolteacher and Stark's inspiration.  Jack is impressed with Stark's honesty and integrity and after he leaves writes several favorable articles about him.  Stark later loses the race.

Burden's article about Willie Stark
Jack goes to his home to visit, a place called Burden's Landing.  His mother is a fragile alcoholic, his step-father arrogant and verbally abusive.  Jack meets with his neighbor, an elderly judge of good character and a strong influence on Jack.  He and Judge Stanton's niece Anne, played by Joanne Dru, are childhood sweethearts, and her brother Adam is a doctor and one of his best friends.  Jack proposes marriage to Anne Stanton, but she says that while she loves him, she knows he still has to find himself.  She promises to wait for him while he goes out and discovers what he wants to do.

Jack and Anne
Meanwhile, Stark loses the election, but with help from Lucy, gets his law degree.  Later, when corrupt politics leads to faulty engineering in a local school, the collapse of a fire escape leads to the death of several children.  This act galvanizes the people, and they turn to Willie Stark to file suit against the builders.  Stark now finds himself the figurehead of a reform movement.  Worried that Stark's popularity will lead to more votes for a reform candidate for Governor, corrupt politician convince Stark himself to run, thinking this will split the vote and give their own candidate the win.

Sadie talks it over with Willie.
Jack travels with the campaign, but he, and the voters, are unimpressed by Stark's dull, factual speeches.  Jack tries to help Stark one evening with his speech, but political aide Sadie Burke, who has been dispatched to keep an eye on Stark, tells him the truth--he's not really running.  Sadie, played by Mercedes McCambridge, gets him drunk, but then watches in amazement the next morning when he gives the best speech of his career, gaining the support of the crowd.  He tells them the facts, but emphasizes he is just a "hick"  like them.  He loses the race, but learns what he must do to win.  Jack quits when he is told to stop writing positive pieces about Stark.

Willie's run for governor.
Four years later Stark has won the race for Governor, and hires Jack as his aide.  He has won by making deals with anyone who will help him, but on a trip to Burden's Landing with Jack convinces everyone that good can come of making deals with evil.  Judge Stanton agrees to take the position of Attorney General, and Anne is particularly impressed by Stark.  Stark pushes through red tape to help the poor and to build schools, stadiums, and a new hospital--all while dealing in corruption.  Judge Stanton resigns when face to face with Stark's perfidy.

Jack, Willie, and Judge Stanton
Stark tells Jack to dig up information on the Judge to use against him.  Jack refuses, but still ends up finding blackmail on the judge.  While he decides what to do with the information, Sadie informs him that Anne has been cheating on him with Stark.  Jack confronts Anne, who doesn't deny the affair.  Rather than betray the judge, he gives his blackmail notebook to Anne and walks away.

Anne has an affair with Willie.
As Stark's public life becomes more and more extravagant, his personal life is having problems.  His wife is icy and diffident, and his son is increasingly reckless.  After he accidentally kills a girl while driving drunk, he publicly admits his guilt, despite his father's attempts to cover up the incident.  Willie offers the girl's father a bribe, which he refuses.  Later, Stark insists his son Tom play in an important football game, although he is still recovering from the accident.  Tom ends up paralyzed, as he is further injured in the game.

Willie Stark and Jack Burden
Adam refuses to head up Stark's new medical center, until Jack and Stark threaten to reveal incriminating information about the judge.  Later the father of the girl killed in Tom's accident ends up dead, and Judge Stanton accuses Stark.  As impeachment proceedings begin, Stark demands that Jack reveal publicly what he knows about the judge.  Jack goes to Judge Stanton and begs him to stop the proceedings, only to discover that someone has told Stark who then went to tell the Judge.  Judge Stanton commits suicide, and Jack realizes it was Anne who told Stark.  He quits his job in disgust.

When Stark is not impeached, Adam shoots Stark and then is killed himself by the police.  Jack tries to get Anne to reveal what she knows about Stark to the crowd, but she refuses.  Stark dies in Jack's arms, still not knowing why he was shot.

Willie Stark
The History
In 1947, Robert Penn Warren won the Pulizter Prize for his novel about political corruption, based loosely on the life of Huey P. Long, former governor of Louisiana and that state's U.S. senator in the mid-1930s.  All the King's Men was soon picked up by writer-director Robert Rossen, who purchased the film rights himself.  He wrote the screenplay and shifted the focus of the novel from the Jack Burden character (played by John Ireland) to Willie Stark.  The film was produced by Rossen's own production company but distributed by Columbia Pictures.

Robert Rossen
Rossen was a Jewish New Yorker, who came to Hollywood in 1937 to make pictures.  He was also a member of the Communist party from 1937-1947, which he explained later as being "dedicated to social causes of the sort that we as poor Jews from New York were interested in."  Though this would later get him into trouble with the HUAC, he split with the Communist Party in Los Angeles when they severely criticized his beloved project, All the King's Men.  As it was, Rossen had to put in writing his political tenancies for Columbia's studio head Harry Cohn, denying that he was a Communist Party member.

Merecedes McCambridge and John Ireland
With the backing of Cohn, Rossen offered the part of Willie Stark to John Wayne, who violently rejected the script as being "unpatriotic" and accused Rossen of making a film that that threw acid on "the American way of life."  The role would go to Broderick Crawford, a supporting actor who saw a great role and jumped on it.  He stayed up late watching films of Huey Long, and poured his heart into his performance.  Mercedes McCambridge, a radio actress, got her big break into films when she threw a temper tantrum and stormed out of the audtition room, irritated by how long the actresses were being made to wait.  Giving them a piece of her mind worked--the producers thought her temper the perfect match for Sadie's.  Cohn's critiques of Rossen's script included scrapping a framing structure that was difficult for audiences to follow, and several improvements in the relationships and motivations of characters.  Even after edits, Cohn refused to support the film, despite its great reviews.  He also refused to promote it in Los Angeles in time for the Oscars.  Rossen poured all of his money into publicity for the film.

Harry Cohn
Rossen had some stiff competition for the award this year, mostly in war films.  Battleground and Twelve O'Clock High both won accolades for their realistic portrayals of war.  William Wyler directed Olivia de Havilliand in The Heiress, based on Henry James's novel Washington Square.  This was his first film since Oscar-winner The Best Years of Our Lives, nearly three years previous.  When asked why he had waited so long, he quipped, "Well if I don't make any picture at least I'm not making a bad one."  The studios were still having a tough time competing with both the advent of television and the loss of their theaters.  When it looked as though they would be unable to support the Awards for a second year in a row, Hollywood moguls traveled to New York to convince their bosses that investing in the Awards paid off in publicity and increased world-wide business.  After that successful pitch, the Academy now had the funds to reserve the Pantages Theatre on Hollywood Boulevard for a glamorous Awards show.

Pantages Theatre during the 1949 Oscars
Newly minted star Paul Douglas, fresh off Oscar nominated A Letter to Three Wives, was the host and began the show with a warning against long speeches.  "I'll thank in advance all the writers, grips, hairdressers, cameramen, front offices and producers," he said, "And we'll also assume the without your mother the whole thing might not have been possible.  Just thank your lucky stars, the voters and no one else."  Highlights of this year's awards included a performance of "Best Song" winner "Baby It's Cold Outside," Ronald Regan's performance of "Take Me Out to the Ballgame," and a special award given to Fred Astaire by his partner, Ginger Rogers.  Olivia de Havilland walked off with her second Oscar for "Best Actress."  The remaining awards were split between the previously mentioned films, but with seven nominations, All the King's Men had three wins.  Mercedes McCambridge won for "Best Supporting Actress," Broderick Crawford for "Best Actor," and "Best Picture."  McCambridge encouraged "all beginning actresses" to "never get discouraged," while Broderick Crawford held the statue in silence before finally saying, "If my heart was to stop beating for a moment..."

Broderick Crawford and Mercedes McCambridge get their Oscars.
While none of the wins were unexpected, everyone had a good time at the once-again glamorous awards.  Broderick Crawford's wife got in the car immediately, worried the Academy had made a mistake, while Merecedes McCambridge accorded her win to her "lucky dress."  Olivia de Havilland was on top of the world with her second win, only to immediately drop her agency when they refused to let her husband approve all her advertising.  She never made another Oscar-worthy film again, and got a divorce in 1952.

Sean Penn in All the King's Men
All the King's Men was remade in 2006 with Sean Penn.  In 2001 the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry. To date, it is the last Best Picture winner to be based on a Pulitzer Prize-winning novel.  While the re-make was mildly successful, the film has never achieved great popularity in modern times.

The Verdict?
Enhanced by Zemanta

And we're back!

So it's been awhile---with everything changing in the my life, it seemed that some things got put on hold.  But Oscar season is upon us, and I've finished up old posts that have been waiting.  Stick around while I start back up, and once again, watch all the movies nominated this year....

Sunday, July 24, 2011

Hamlety Pizza

Hamlet and pork products?  I know, it's corny.  But it works!  And I think I cheated a little bit...I used my favorite version of ham: prosciutto and pancetta.  And to be even more Italian I decided to make pizza.  I've actually never made my own pizza, except for one effort that went seriously awry.  This time I used baby steps; I purchased the pizza dough from a local Italian grocery store.  I then tried three different pizza recipes all on the recommendation of my favorite food blog, SmittenKitchen.  And she didn't disappoint.  Below are my attempts at fresh ricotta and red onion pizza, bacon, onions, and cream pizza, and shaved asparagus pizza.  With a few tweaks.

"Oh that this too...would melt" Asparagus Pizza
 You'll Need:
1 medium sized ball of fresh pizza dough, uncooked
1/2 pound uncooked asparagus
1/4 cup grated Parmesan cheese
1-1 1/2 cups grated mozzarella
2 tbsps olive oil
1 scallion
salt and pepper
  1. Preheat oven to 500 degrees.
  2. Take the asparagus and starting from the base, peel upwards in strips (like with a cucumber).  No need to snap the ends off.  Get as many peelings as you can, and press firmly for thick slices.  Toss peelings when complete with 1 tbsp olive oil and salt and pepper to season.  Set aside in a bowl.
  3. Roll out and stretch dough until correct size with ends slightly higher for crust.  Cover the dough with remaining olive oil and a tsp salt.  Cover baking sheet with tin foil and then place pizza on a square of parchment paper.
  4. Sprinkle Parmesan cheese, then mozzarella, over the dough.  Top with asparagus.  Bake in the oven 10-15 minutes, until cheese is bubbly and asparagus slightly browned.  Immediately top with sliced scallion and set aside to cool.

"Goodnight, sweet prince" Prosciutto Ricotta Pizza
 You'll Need:
1 medium sized ball of fresh pizza dough, uncooked
1 cup ricotta cheese
1 1/2 tbsps golden brown sugar
2 tbsps olive oil
2 tbsps balsamic vinegar
1 large red onion, thinly sliced
1/4 pound prosciutto
1 tsp fresh sage
salt and pepper
  1. Preheat oven to 500 degrees.
  2. Heat 1 tbsp olive oil in medium saucepan.  Cook onions with brown sugar until dark brown and tender, about 15 minutes.  Mix in vinegar, salt and pepper to taste.  Cook until thickened, about 2 minutes more.  Turn off heat.
  3. Roll out and stretch dough until correct size with ends slightly higher for crust.  Cover the dough with remaining olive oil and a tsp salt.  Cover baking sheet with tin foil and then place pizza on a square of parchment paper.
  4. Spread the onion mixture over the center of the dough within a 1/4 inch of the edge.  Top with ricotta and then place prosciutto over the top.  Sprinkle with sage.
  5. Bake in oven for about 12 minutes, or until bread is brown and crusty.


"To die: To sleep" Pancetta and Cream Pizza
 You'll Need:
1 medium sized ball of fresh pizza dough, uncooked
1/2 cup ricotta cheese
1/2 cup sour cream
1 tbsp all purpose flour
1 tbsp olive oil
1 medium onion, thinly sliced
1/4 pound pancetta, cubed
salt and pepper
  1. Preheat oven to 450 degrees.
  2. Cook pancetta with 1 tsp olive oil until slightly browned.  Then remove pancetta and set aside.  Add onions to the pan and cook until slightly softened, about 10 minutes.  Turn off heat.
  3. Roll out and stretch dough until correct size with ends slightly higher for crust.  Cover the dough with remaining olive oil and a tsp salt.  Cover baking sheet with tin foil and then place pizza on a square of parchment paper.
  4. Whisk together ricotta, sour cream, and flour.  Add salt and pepper to season.
  5. Spread the cheese mixture over the center of the dough within a 1/4 inch of the edge.  Top with onions and pancetta.
  6. Bake in oven for about 12 minutes, or until bread is golden brown.

Different in their own ways, but incredibly yummy.  Pizza was a success!  SmittenKitchen never leads me wrong.  I keep changing my mind about my favorite, but the asparagus was very good.  Well then... until next time?  For now...I'll enjoy the melted cheese...